If Kathakali is the dance of Kerala known for its manly vigour, Mohiniattam the dance of the enchantress, is its lyrical counterpart reputed for its grace and elegance. Although literary evidence is lacking regarding its origin, Mohiniattam is mentiond in a Malayalam commentary written in 1709 A.D. Later, Kunjan Nambiar makes a reference to it in his Ghoshayatra Ottan Tullal.

The Mohiniattam repertoirs runs parallel to that of Bharata Natyam as, during Swati Tirunal’s time, the former was influenced by two members of the Tanjore Quartette. But there are many dissimilarities also. Instead of the Alarippu, the Chollukettu is danced as the invocation. It is followed by a Svarajati but the Sabdam is absent. Padams are in plenty in Mohiniattam. The body movements are rotary and the upper and the lower parts of the body are balanced gracefully. Nayana Abhinaya or eye gestures are a speciality in this style.

The sopana style of singing, which is employed in Kathakali also, is considered to be ideal for Mohiniattam to suit the swaying dance movements.

Interest in Mohiniatam was revived by the efforts of post Vallathol and Mukunda Raja and has gained great popularity in recent years. An attractive type of costume has been evolved with a lovely coiffure and ornaments. Mohiniattam is captivating, seductive and full of rasa and has come to stay as an individualistic style of dance.

      __________________________________________

(A part of the Article "Dances of India" by Shri.T.S.Parthasarathy under the "Articles" category)