For Ms. Sindhu Kiran it has been just that ever since she was first
infatuated by the charm and grace of Mohiniattam and Odissi, the dances
of the temptress. And all along, it has been truly an enchanting journey
- one led by a quest for perfection and followed by a colorful professional
career.
Her tryst with Odissi began at the behest of the legendary Protima Gauri
Bedi in 1991 at Nrityagram- the dance village in Bangalore, India. There
she studied under the tutelage of Guru Kelucharan Mahapatra and finished
her training under the guidance of Guru Ramani Ranjan Jenna. Her pursuit
of Odissi did not stop her from the allure of Mohiniyattam. Initiated
by the eminent Guru Kalamandalam Kalyanikutty Amma she continued her
classical dance training with Mohiniyattam style and technique by renowned
Guru Bharati Shivaji. She then mastered the nuances of abhinaya or facial
expression from extensive training under Guru Kalanidhi Narayan and
Ms. Usha Nangyar.
Her belief in a holistic approach to dance has led her to learn various
ancillary skills that have enriched her performing style a great deal.She
has learnt ballet from The Eugene Ballet Co. of USA , Trappies from
Zoe & Anne Dufour of France and Tango from Anne Marie & Rigardo
Of USA, all artists of great repute. She has imbibed the aesthetics
of creative dance from accomplished teachers like Ranjabati Sircar,
Robert Mc Williams & sandra Chatterejee(USA). In her endeavour for
perfection she has trained in Shorinji Kempo under sensei Kirti and
has also dabbled in Aikido with guidance of Julius Aib(Australia). As
an avid learner she has attended several workshops ranging from abhinaya
to sculpture and mime to Kutiyatam hosted by experts like Daksha Seth,
John Devraj, Gracious Devaraj, Sajjan Gurukkal, Jayachandran, Koothupatrai
and Anita Rathnam among others.
An accomplished artiste
of both Mohiniattam & Odissi, she has performed extensively all
over India, Europe and South East Asia with innumerable performances
at major cultural programs. Backed by her professional experience of
over a decade now, she has composed and choreographed dance items for
distinguished national and international events. She is also an endearing
teacher herself, and has taught and participated in several dance workshops.
She is the recipient of National Scholarship For Young Artistes awarded
by the department of HRD, govt. of India in 2000. Incidentally she is
an exponent of the Indian martial art Kalaripayattu and actively practices
Yoga as well. She also plays the Indian Classical instrument Veena with
much enthusiasm.
Mohiniattam and Odissi,
for Sindhu Kiran have not been just a flights of fancy but are extensions
of her very self and add profound meaning to her being. They are poetic
expressions of life's variegated moods by creating a world of ethereal
existence. From years of ceaseless practice and the commitment to perfection
she is able to translate the eternal beauty and rhythm of these dances
into her brilliant performances on stage. Through manifold body movements,
delicate footwork, intricate eye gestures and subtle facial expressions
she recreates the mystique of the mythical enchantress in the minds
of the the discerning audience, leaving them spellbound each and every
time.